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Sylvia James George began her art career at Pratt Institute in New York City, where she received a BA in Fine Arts. Intensive, classical courses such as anatomy and physiology trained her to accurately perceive and paint not only the surface of the body but the muscle and bone structure beneath which gives the skin it's form. Her thorough training in proportion, perspective, lighting and the techniques of the old masters has enabled her to become a highly regarded fine artist.

It is her love of people, however, and the joy she finds in capturing their personalities along with their images that has made her such a natural at portraiture. Her commissions now number in the thousands. With her endearing smile and sincere policy of complete satisfaction, she has won many repeat customers, and word of mouth has spread her reputation around the world. The Van de Perre's of Belgium are one example, having commissioned nine paintings over the years. Sylvia's works also hang in such places as England, Japan, Africa, and Bermuda as well as across the mainland United States and Hawaii.

Sylvia is a certified member of the Maryland Society of Portrait Painters, a founding member of the Maryland Pastel Society and Howard County Society of Portrait Painters, a member of the American Institute of Conservation and was appointed Chairman of the Arts Registry by the Howard County Arts Council.

SJG in Studio

A few notable accomplishments:

  • The Oklahoma City Bombing 10th Anniversary Commemorative Portrait Painting, on permanent display at the Department of Agriculture, Washington DC.

  • "JFK in Rocker" is in the permanent collection of the Kennedy Library

  • "Rendevous Dans Le Jarden" auctioned for fundraising by the Corcoran Museum

  • Limited Edition Etched Silver Plates given by the Rouse Company of Columbia, MD as gifts to visiting dignitaries.

  • Exhibited at and been selected to judge numerous art shows and has taught art in many venues.

She has been ackowledged by the following institutions:

  • Who's Who in American Art

  • Pratt Institute Directories

  • The World's Who's Who of Women

  • American Portrait Society

  • The International Who's Who of Professional and Business Women

  • International Biblioteque

  • Who's Who in American Art

  • American Artists of Renown

  • Maryland Society Register

  • Who's Who in the East

  • Who's Who of American Women

  • Directory of the Arts

  • Artists USA

On a personal note, Sylvia James George is also the proud mother of 8 children, her own home grown models which are, as she loves to call them, her very finest works. She is also Nana to 22 wonderful and adoring grandchildren and 2 great grandchildren. They are her fountain of youth and her inspiration.
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Photo by David Hobby

 

Celebrating
20 Years
at Historic
Savage Mill!


From the Historic Savage Mill web site:

"Stroll into Sylvia James George’s Art Studio & Gallery and you will find the artist with brushes in hand and a warm smile upon her face, for this is a woman doing what she loves. Sylvia’s studio has been a fixture at Historic Savage Mill in Savage, MD since 1986, but she has been painting all her life.

A highly accredited and accomplished artist with old master training, her creations grace the walls of countless homes, businesses and museums around the world and are meticulously rendered in a variety of mediums including oils, pastels, watercolors, pen and ink, and charcoal.

Although she enjoys painting landscapes, seascapes and animals, Sylvia especially enjoys portrait painting, delighting in being able to capture the subject's personality on canvas. Sylvia deftly works from sittings, photos or a combination of the two and specializes in rendering a finished painting from a composite of photos. Complete satisfaction is assured and private unveilings are available upon request.

Visitors to Sylvia's studio and gallery are afforded the opportunity to observe a master fine artist at work and to explore a variety of her paintings on display and in various stages of completion as well as countless photographs of earlier works."

 

 

 
 

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